Dr. Manny Ling holds the position of Acting Deputy Dean at the School of Communication and Design and oversees the BA Design Studies program as Senior Program Manager at RMIT Vietnam. His unique perspective as a Chinese practitioner in the realm of Western art and design has significantly shaped his creative practice. Dr. Ling is captivated by the interplay of contrasts and contradictions in his work, exploring themes such as the intersection of traditional craftsmanship with digital innovation, the fusion of Eastern and Western aesthetics, the balance between historical reverence and contemporary expression, the harmony of motion and stillness, the elegance of simplicity against the richness of complexity, and the interplay between meticulous planning and creative spontaneity.
Awards & Recognition
2024. Visiting Professor, Dept. of Design, University of Sunderland, UK
2020. Senior Fellow of the Higher Education Academy (SFHEA)
2020. Awarded Nominee for the Best Doctoral Research Supervisor, University of Sunderland, UK
2013. Student-led Teaching Award—Most Inspirational Tutor, University of Sunderland, UK
2011. Honorary Fellow Calligraphy and Lettering Arts Society, (HFCLAS)
2011. Honorary Full membership of The Typographic Circle, UK
2011. Elected member of Letter Exchange, UK
Dr. Manny Ling’s research focuses on cross-cultural design practices, employing calligraphy as a medium of graphic communication that transcends cultural, traditional, and methodological boundaries. Since 2000, he has served as the Director of the International Research Centre for Calligraphy (IRCC) at the University of Sunderland. Under his leadership, the IRCC has build an international reputation for its diverse research initiatives, including the curation of symposia, exhibitions, and publications.
Being a Chinese artist and designer educated in the Western tradition has profoundly shapes his scholarly pursuits. His work is deeply influenced by themes of ‘contrasts and contradictions’ and ‘crossing boundaries,’ exploring dichotomies such as the Handmade and Digital, East and West, Old and New, Energy and Stillness, Simplicity and Complexity, and Control and Spontaneity.